Since I don't normally associate fashion with science and technology, it was difficult to correlate this type of art form to the concepts we've been learning in class. As I perused through the exhibits, I eventually recognized various applications of technology being used to produce the vibrant colored designs. Flyer and advertising poster at the entrance of Fowler To start off, I discovered that certain African cloths are produced by a mechanized process that creates a variety of print types such as Java, "Fancy", and Wax. Java prints are produced through high-quality roller printing, using engraved metal roller to deeply penetrate the colors into the fabric. "Fancy" prints can be produced with rotary screen printing, which is more cost effective because it outputs at a faster rate. However, these prints can vary in terms of quality as a trade-off. Wax prints are made through a combination of resin mixture and a duplex-roller system to produce a f
Even though I am a second year, I've never got around going to the Hammer Museum. Even though it was admission free, I was not disappointed by the quality of the exhibits. I was particularly drawn to Andrea Bower's flashing LED installation. Having worked with LEDs with IoT software, this exhibit definitely used math calculations in order to program the corresponding flash speeds (Week 2: Math + Art). This work was Bower's contribution and response towards the Dakota Access pipline (DAPL) controversy, as she is advocating with Food & Water Watch and South Central Farm for affordable access to clean water and healthy food. Bower's LED installation (featuring me) Infographic showing relationship between pipeline's progress and bank systems When I went upstairs, I was struck by peaceful ringing bells. I thought at first that they were just recordings playing over speakers. However, I came across Aaron Taylor Kuffner's Gam